This is an experimental piece, following on from "Peared Off", which was worked by starting the painting in lots of cross-hatched strokes. It is a method shown in Bill Creevy's excellent Pastel Book, although of course he does it far better than I can! The base is mountboard, textured with Art Spectrum clear pastel primer. The subject appears, at first glance, to be rather dreary...it was a photo of old pots and bottles set in front of a partly boarded-up window. Complete with cobwebs and dust, the atmosphere in the room where I took the snap was a little forlorn, and there was a feeling of "time-capsule", like time passing by this little shelf and nothing ever moves. The white board was washed over with greeny-blue watercolour paint (the walls of the room were a similar colour). Then I marked in the outlines of the window and objects, before beginning a series of cross-hatch in various colours, using Conte A Paris pastel pencils. Since the room was primarily a dark one, I used deep blues, greens, purples, occasionally black and also some red-violet. I worked these colours around the objects and also into them where they had deep shadows.
After doing so, the picture began to take on a sparkling look, where the colour of the mountboard peeped through the hatching. I then moved to using some Conte a paris sticks, then to some softer Rembrandt pastels. Layers of cross-hatching continued to build up the forms and the darkness around the window. I also have the remains of some old Winsor & Newton pastels to use. I had planned to finish off by skimming some very soft dark Unison pastels over the darkest areas and depositing colour; but decided to leave it all as it was.
I've decided that I like this technique and plan to do more work with it.