Paintings by Christine---News

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"Solar Fire": acrylic 12x12 inches

, 10:45

Back to the acrylic experiments, and this one completed last week on a box canvas. Having followed the books of Rolina van Vliet for a while, I have been trying out some of her technique exercises. It is interesting to add colour to a canvas randomly to start with, and then work at building it up into some sort of balanced image. The canvas on this particular work has rather prominent horizontal lines in its weave, which don't always assist when scratching and scraping paint. The lower section was originally very bright orange, so it was toned down by adding a more brownish mix of cadmium red with ultramarine blue; small highlights were then added back on top. All balanced against a black upper corner (mixed from thalo green and magenta, rather than tube black).

In the process of dabbling with acrylics on paper, I remembered that pastels are a good match with acrylic paint. The poor old pastels have been a little neglected of late, but as I had commented earlier, there seem to be fewer Internet buyers for pastels than "paint". I am, however, working on my own little sideline projects and there will be some pastels up here in due time. I'd like to explore combining acrylic underpainting with pastels on top but have to find suitable subjects close to hand....still life is the most obvious choice.

"Patchwork Jazz": acrylic 24x20 inches

, 13:20


Still working on some abstract ideas at the moment. With a wish to move on from the blue theme of the previous productions, I elected to use a random choice of colours to produce this patchwork. At present I am looking at several potential subjects that contain squares and rectangles....they're a little more realistic than abstract....so for the coming days I'll be working on paper, drawing out various designs in pencil and possibly pastel too. Whether I will create them in acrylic, however, is another matter....I still find this paint tricky to work with, with regard to natural subjects such as flowers and landscape. It'll probably be back to oils, where colours tend to be softer and easier to blend where required. My acrylic box is mainly heavy-bodied paint; whether I should gradually move on to liquid formats is something for me to think about, since I have found acrylic inks, for example, to go well with pastel and other line-work. All part of the great exploration.

Dimensions: acrylic on canvas 24x24 inches

, 18:25

An abstract using overlaid squares and rectangles in shadowy shades of deep purple, blues and black, offset with scatterings of silver and accented with creamy-white. This painting almost didn't happen. It began life as a semi-abstract landscape-style layout, which became too dark and was systematically scraped down then overpainted with deep blue-grey. Using the resulting variations in contrast (black to blue-grey and into a steel grey), a patchwork of rectangles was devised, to create an air of mystery and some hidden "dimensions". Most of these were painted with the edge of a knife, pulling and scraping the paint to create colour overlays and light texture. Blues and mauves were mixed with metallic silver paint and the occasional touch of pearlescence.

Outdoor light levels not brilliant for photographs but look ok for the blog; I may repeat the session to try and get a better shot for online gallery use.