Pastel on Canson "Touch" brown pastel paper.
A local cottage has a very nice magnolia tree that spreads out across its front wall and flowers prolifically in the springtime. I have aimed to capture the Victorian window style and surrounding stonework, set against the blossoming tree.
Short post this time....very busy. This pic is listed at DailyPaintWorks.com
Often, just as I get on a "roll" with producing pictures, something comes along and puts a spanner in the works to slow me up. I've had to stop all my oil-painting for a while, since my workroom is currently being commandeered for other purposes. It shouldn't be for much longer but I'm a bit annoyed because my rhythm has been broken. Anyway....back to the pastels, and this little daisies-in-a-mug study was produced in around two and a half hours, over two days.
Posted a while back, now at DailyPaintWorks for seven-day auction:
I have spent a few days exploring how to get more texture into my pastels and bring them away from the clean,clear-cut look that they tend to acquire on pastelMat. There's nothing wrong with PastelMat....I have a whole pack of new sheets just in....but I need this change of direction for some work. This butterfly picture of a Peacock grazing on buddleia was done on a sheet of previously-worked PastelMat, which was brushed off and then coated briskly with Art Spectrum Colorfix clear primer. I used a bristle brush to do this and just stroked the medium over the surface in a fairly random manner. Some of the brush strokes eventually became integrated with the picture.
Working pastel on top was quite a different experience. It was near-impossible to blend with a finger. Quite a lot of pastel-dust went into the grooves of the texture and quite a bit dropped off....but a good spraying with fixative sorted this out, to provide base colours. The buddleia flowers were worked in the same way as I always do, but the results were more subtle. The textured surface broke up the passage of the pastel and occasionally created surprises. The central section where the butterfly is was deliberately textured more carefully, since the insect has a fair amount of detail.
Having completed most of the picture I put it aside for a few days because I couldn't decide whether it was finished or not. Eventually I added a little more mid blue-green to the central region behind the butterfly and called it done. More subtle, dustier, even a slightly faded look. Certainly the rougher texture eats pastel, but at this moderately small size that isn't too much of a problem.
I have another similar-sized piece now finished and may post that next time. My Uart paper samples have arrived and I'll be exploring a couple of those shortly.
This butterfly painting is retained for exhibition in December and won't be going on DailyPaintWorks as an auction item....at least, not just yet.
Quickish pastel this week, a little group of salvaged asters and tagetes placed in a miniature pot. On pastelmat card, 6x6 inches.
I came across this very old church building in Devon, England with faded pink-painted walls and right next to a colourful display of summer dahlias. The scene stuck in my mind for a long time afterwards. I recall it here to the best of my ability, in pastel, with vivid orange and deep purple-red flower-heads.
Another small pastel completed during yesterday and this morning:
Continuing with another 6-inch square format, and back with flowers again....one of my favourite colour combinations is mauve and yellow; and these pansies have plenty of both. It is quite mentally demanding working with chunky pastels on a small square area like this, and it is a time when my spare box of pastel fragments comes in handy, for smaller details. This picture was worked on pale grey PastelMat, covered with a light wash of green watercolour before starting.
Brief change of scene, but still sticking to small format, this little shed looked very picturesque when first spotted; complete with delicate scented floral companions. Working this small with pastel can be challenging, especially when it comes to smaller detail, but in fact the thickness of pastel sticks helps to avoid overdoing things. You just can't fiddle that much, as you can with a size 5/0 brush. I have considerable respect for people like Karen Margulis who works pastels at ACEO size (3.5 x 2.5 inches)....I'm afraid these days I have to resort to a magnifying glass as well as ordinary glasses when things get this small, otherwise I would miss the pastel-paper entirely.
Quick post today; here's a small impressionistic floral, just dried enough to scan.... this polyanthus was brought indoors to paint, during a recent bout of hay-fever when I just couldn't sit out. A quickish painting, to try and capture the deep reds that these flowers have, along with the sharply contrasting dots of yellow. On DailyPaintWorks as an auction, from Saturday 21st, at: http://www.dailypaintworks.com/buy/auction/552736 Start bid $28.
Having had ten days unable to do any painting, I started back with a rather more experimental piece. This pastel is on Canson "Touch" pastel-card, and
a number of things happened to it en route to completion.
On DailyPaintWorks now: $65. http://www.dailypaintworks.com/fineart/christine-derrick/spring-blues/470613
These primroses or polyanthus were a deep blue-purple with white edges on the petals. The initial drawing wasn't satisfactory, due to the fact that a number of the flowers were tightly squashed together and not displaying their yellow centres; so I decided to do them from a "bird's-eye" view.
Eventually the whole group began to form on the paper. I wanted the flowers to stand out from their background.
This was a bit tricky, since the petals were a dark shade and I didn't want to do an all-black background. Pastel grains also tend to stand forward, so in the end I washed over the orangey-brown background pastel with an alcohol wash, which flattened it.
The pastel-card took the alcohol wash very well, so I will remember this for another occasion.
"Mixed Asters" is a 6x6 inch oil painting on canvasboard, due to start at auction at DailyPaintWorks tomorrow for 7 days. The auction link is below: www.dailypaintworks.com/buy/auction/473761
Item also at Original-Art-Under100.com See the Links panel on the right.