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Nocturne, Hartland Church, Devon: oil 12x9

, 17:57

DailyPaintWorks.com Challenge: a Nocturne in Two Colours.

Tricky one this, because the challenge colours didn't include white or black pigments. Using my previous knowledge of working on oil-paper, I decided to go for a sheet of Arches Huile and try to use the white of the paper along with thin washes to get the light parts of the scene. Moonlight has a peculiar deadening effect on landscape colours. I have managed to achieve some of these dead "greys" in the past using ultramarine and either cadmium red or cadmium scarlet; in this picture I opted for the scarlet. I've also managed it to some extent using ultramarine and light red (but light red isn't in my box right now). The picture was worked from a photo that I took on holiday several years ago; walking back towards the holiday cottage in mid-evening, the moon emerged above the local church and the picture was snapped. Just right for the DPW challenge.

Most of the painting is composed of thin washes, made from oil and Zest-It thinner. More paint has been applied with a palette knife at the bottom section, so that the land is denser and thicker in pigment than the sky. Arches oil paper has some interesting properties, permitting watercolour-like washes to be made and to create texture in those washes thanks to the nap of the paper. A few of the small "streetlights" dots were lifted out with a tightly-pointed piece of kitchen-towel dipped in thinner. The whole painting was completed in around an hour and a half.

https://www.dailypaintworks.com/fineart/christine-derrick/nocturne-hartland-church-devon/623772

"Glass Eggcup": pastel 10x10 inches

, 19:48

Pastel on pastelmat card; although the image is 10x10 inches (25x25cm approx), it has been slightly cropped here because I had to fit it into my scanner (which is only A4 size, or 8 inches across). The bottom edge was omitted but it is actually just ochre-yellow pastel.

DailypaintWorks entry date: will update this post when image has been uploaded; this should happen around 6th or 7th January. Oops! Almost forgot; https://www.dailypaintworks.com/buy/auction/640261

This work was completed in early December but I had not got around to photographing/scanning it. At the time, the light-levels in my house were dreadfully poor during the daytime, due to thick cloud and drizzly rain. I set this still-life up on top of the fridge, where light was picked up through a small south-facing window. I completed the painting by resting my work-board's top edge on the fridge-edge, and remained standing for the two and a half hours it took to do.....no room to put an easel. I added a further twenty minutes the following day for minor details. The end result is very subdued, courtesy of a limited palette to match the limited strength of daylight. The glass eggcup is quite old and has been around the house for many years.

I have started 2017 with a landscape, still under way, to come on here when completed. (nb sorry, comments not accepted at this time due to excess spamming).