I'll have a new picture to photograph, in probably, a couple of days so another post here should happen shortly. A few years ago I purchased some Winsor and Newton oilbars, with a view to developing some larger work. After a few struggles with them I began to find my own method and was hopeful of improving results. Frustratingly, six months later, the paint surface was still "dentable" with a finger-nail; and similarly after a year, it was still slightly scratchable. Since I am not an impasto painter, the paint was generally thin, but simply had not dried. I am sure there is nothing wrong with the oilbars, but more likely my method of working. However, several months back I decided to have another go, this time with the smaller Sennelier oilbars (38ml).
Result: a touch-dry surface in about five to six days. This was a bit of a surprise. I decided to experiment further and used the bars to overpaint an old acrylic work, basing the new subject-material on the old underlying pattern. In addition, I included tube oilpaint at the same time, which entailed blobbing colour onto the canvas and then pushing it around with an oilbar. For example, ultramarine blue tube-paint worked with a white oil-bar; or vice-versa.
"Scintillation" was the end-product. Abstract isn't my usual style but I wasn't bothered about that aspect. It was about finding out what these oilbars would do. They are oil paint mixed with a percentage of wax, and behave like large pastels when in use, spreading colour, drawing lines, etc. They can be used on canvas, canvasboard, oil-paper and even gessoed smooth board (although there's less texture for the paint to grip to). The painting is currently listed in my gallery at Original-Art-Under100.com
My newest painting is approaching completion and I've used both oilbars and tube-paint in it. It is also one of the largest I have done for several years.