As we head out of November into the last month of the year, I tend to slow down a bit with painting. Photographing new work becomes more awkward, due to the low light levels outdoors (I always photograph outdoors if I possibly can). Posting purchased work also becomes more frazzled during the build-up to Christmas, as the post office handles ever more parcels. Delivery abroad has lots of cut-off dates.
I may have one more entry for DailyPaintWorks prior to Christmas, but if not then activity will resume in early January.
This past week I have completed a small pastel still-life (more or less), just a little tidying-up to do before attempting a scan or photo. In stark contrast to this, I returned to my acrylic box and almost finished off a 24x16 inch canvas......very rare for me, these days....that too needs some alterations but it was a refreshing change from dry media.
I will soon be starting to sort out my harder pastels....a recent purchase of 90 Rembrandt sticks now necessitates an overhaul of my "hard" box and removal of any dye-based pastels that have been lurking for some years. I use Unison as my softest, along with Daler-Rowney; Rembrandts are somewhat harder than these and are very good for "cutting back" into soft pastel when a colour change is required or a section needs reworking.
There aren't that many hard pastels available in the UK....Rembrandt fills the role very well. I'm also about to test out some Koh-I-Noor Toison d'Or sticks.
Finally.....continuing with experimental hand-textured surfaces, the tomatoes picture below was worked on a piece of acid-free mountboard, first painted with a light coat of ochre acrylic, then a layer of Winsor and Newton clear gesso. No granular texture such as pumice or sand, just the gesso. The work was lightly fixed at several stages, with a final light spray at the end.
https://www.dailypaintworks.com/buy/auction/629261 starting at $38.
This will be the last for 2016, on DailyPaintWorks, but I'll be continuing with new work during December.