This one is also over at SmallArtStuff; haven't got much time for scanning this week, but I have just completed a nice little still life of dandelions that was actually started off with these same pastel pencils. That'll be for the next post.
The apple sketch was done in just over an hour, using all Conte a Paris pastel pencils; on a sheet of Colorfix paper. Yes it's quite gritty for pastel pencils but works very nicely; deposits quite a bit of loose dust and a little bit of light smudging is needed to keep it down (bit of fixative as well in the process). The range of Conte pencils isn't especially large (48 in total) but there are enough to create some nice images. The colours are more muted, not as brilliant as soft pastel because of the binder in the pencil-pigment. It is a little tricky to overlay the colours on this rougher surface since dust is created and the pencil-point makes furrows. It's simply a case of doing it and working out the problems en route.
Due to people who have loaded my blog with spam messages, I have decided to not accept comments; I really don't have the time to trawl through several hundred spam per week in order to find genuine posters, so regrettably I've had to disable the system. Now... I am taking a few weeks' break from pastels and now doing some drawing instead. I have a fair collection of drawing materials including carbon pencils, water-soluble graphite, charcoal, graphitint pencils and faber-Castell coloured pencils. Usually I am busy with pastels and don't draw as much as I should. This tonal piece is subject-matter away from my usual comfort-zone. I just wanted to get away from colour and do something structured.
Kingston Buildings, Bath : pencil, carbon pencil and water-wash on cartridge paper