Paintings by Christine---News

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"Clouds over Portmeirion": oil 12x9 inches

, 08:48



Oils on canvasboard, 24cm x 30cm (approx 12x9 inches). Another from North Wales...Viewing the sky from a high vantage-point close to the Town Hall in Portmeirion. In front of me directly was quite a lot of open space and flat rooftop, not exactly inspiring material....so I cropped my photo down to exclude all this and concentrate mainly on the sky. A fairly quickly-executed painting; the first stage was done in around 2 hours and then I had to leave it for a couple of weeks; finishing it the day before yesterday in around an hour and a half.

My second painting, also completed on the same day, shows a different part of the country; that I'll put up here early next week.

Magnolia Window: pastel 10x10 inches

, 11:32



Pastel on Canson "Touch" brown pastel paper.
A local cottage has a very nice magnolia tree that spreads out across its front wall and flowers prolifically in the springtime. I have aimed to capture the Victorian window style and surrounding stonework, set against the blossoming tree.
Short post this time....very busy. This pic is listed at DailyPaintWorks.com

Lakeside Trees: pastel 15x13 inches approx.

, 11:37

A couple of items completed since last time, here is one of them, although a bit out of season. My local lake-shores always put on a good display in autumn and I have been keeping the photo of this one back for a while, before finally launching out on it. It provided the opportunity to use some of the dull and brighter reds in the pastel-box.

Queen's Parade, Brandon Hill, Bristol: pastel 12x12 inches

, 11:39

A subject like this is quite a step away from my usual stuff but it made a change and allowed me to get a break from intense, close-up work. Having said that, it took me a while to do all the windows....

This pastel is on Sennelier card, a warm sienna colour. It tends to be quite toothy and in some ways wasn't quite so ideal for some of the detailed parts, but it worked nicely in the grass and tree areas. The terrace of buildings, in reality, has been painted in various colours (thankfully none of them too brash) and add an extra dimension to a scene which would ordinarily be just a little drab during an English winter.

I used hard pastels to start the work with and also had to make a few starter attempts on the angle and positioning of the buildings---they start to slope downhill at one point. This layout I did at home, would have been tricky outdoors. The evening glow was built up with a layer of pastel pencils to start with, then soft pastel added on top. I resorted to hard conte sticks and pencils to get the windows and doors marked out. The park grass and trees were kept a little looser in working.