I don't often pull out the watercolours, but this year I am thinking of taking them away with me on day-trips during the main holiday period. As much as I like pastels, I have found it difficult to work satisfactorily out of a small day-sack with them. I have selected various fragments of colours to try and get a good spread for outdoor work; then sorted them into two or three small plastic segmented boxes. Such a method should work ok, and it does....unless you drop a box. A couple of years ago I did just that, and was lucky to salvage all the pastel fragments. I then kept them indoors for the remainder of my time away and resorted to a small set of Cotman watercolour pans for any further draw/paint efforts.
I've spent so much time in recent years with pastels and oils that I've tended to forget how useful watercolours are for simply sketching things. Last week I sat out in the garden and made a passable attempt at a cottage window amongst the flowering weeds; done on hot pressed paper with the intention of adding a few ink lines (which never happened).
This very small painting of a two-handled cup with nectarine is a follow-on from last post's pastel nectarine duo. With the gradual softening of the fruit, it became necessary to start eating them up before they finally collapsed. The painting is pretty simplified and I've just aimed at representing the cup via the dark mass of blue-purple behind it; plus a bit of pale blue-grey shading; and then the darker colours for the fruit. It gets me back into the process of using translucent paint rather than the opaqueness of pastel or oil. I have found the Langton Prestige range of paper to be rather nice to use and it seems particularly good when making use of the granulation effects of certain colours, like Ultramarine Blue.